| Lucas
Samaras was born in Kastoria, Macedonia, Greece,
on 14 September 1936. He emigrated with his
family to the United States in 1948 and studied
at Rutgers University, New Brunswick, New Jersey,
from 1955 to 1959. There he met Allan Kaprow
and George Segal. He exhibited work in solo
shows at Rutgers University in 1955 and 1958,
but his first exhibition of consequence was
at the Reuben Gallery, New York, in 1959. Samaras
became involved in the activities of the artists
associated with the Reuben Gallery, notably
Claes Oldenberg, Jim Dine and Red Grooms, and
performed in some of their 'Happenings'.
In 1960 he stopped painting in oils and worked
on pastels, assemblages and boxes. One of his
boxes was shown in the exhibition 'Art of Assemblage'
at the Museum of Modern Art, New York, in 1961.
In 1966 he exhibited his Mirrored Room at the
Pace Gallery, New York. A second mirrored room
was made for exhibition at Documenta 4, Kassel,
in 1968. In 1970 his series 'Transformation:
Chair' was exhibited at the Pace Gallery, as
were his series of 'Autopolaroids' in 1971.
The Whitney Museum of American Art held a retrospective
of his work in 1972. He has continued to exploit
a variety of materials, exhibiting the 'Photo-transformations'
in 1973, fabric 'Reconstructions' in 1978 and
bronzes in 1982. A retrospective exhibition
of his work was mounted by the Denver Art Museum
in 1988 and toured major centres in the United
States.
Samaras lives and works in New York. |