| Lucas
Samaras was born in Kastoria, Macedonia, Greece,
on 14 September 1936. He emigrated with his family
to the United States in 1948 and studied at Rutgers
University, New Brunswick, New Jersey, from 1955
to 1959. There he met Allan Kaprow and George
Segal. He exhibited work in solo shows at Rutgers
University in 1955 and 1958, but his first exhibition
of consequence was at the Reuben Gallery, New
York, in 1959. Samaras became involved in the
activities of the artists associated with the
Reuben Gallery, notably Claes Oldenberg, Jim Dine
and Red Grooms, and performed in some of their
'Happenings'.
In 1960 he stopped painting in oils and worked
on pastels, assemblages and boxes. One of his
boxes was shown in the exhibition 'Art of Assemblage'
at the Museum of Modern Art, New York, in 1961.
In 1966 he exhibited his Mirrored Room at the
Pace Gallery, New York. A second mirrored room
was made for exhibition at Documenta 4, Kassel,
in 1968. In 1970 his series 'Transformation: Chair'
was exhibited at the Pace Gallery, as were his
series of 'Autopolaroids' in 1971. The Whitney
Museum of American Art held a retrospective of
his work in 1972. He has continued to exploit
a variety of materials, exhibiting the 'Photo-transformations'
in 1973, fabric 'Reconstructions' in 1978 and
bronzes in 1982. A retrospective exhibition of
his work was mounted by the Denver Art Museum
in 1988 and toured major centres in the United
States.
Samaras lives and works in New York. |